Georgia Horgan is an artist that makes videos, performances, textiles and texts. She studied at the Glasgow School of Art and California Institute of the Arts, and has shown work at the ICA, Exile Gallery, Jerwood Space, Glasgow Women's Library, Alyssa Davis Gallery, Evelyn Yard, Collective and Glasgow International. Her writing has been published by Flash Art, Panel, MAP Magazine and Orlando journal.

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Duck Bill, text for a performance, September 2019

Response to Lee Lozano's Boycott Women, text for performance, March 2019

The Whore's Rhetorick, script for a film, ongoing

Hated Sexuality and Pinochet Porn, MAP #48, February 2019

Glasgow, Capital and Cancellation, an essay for Marlie Mul, December 2018

All Whores are Jacobites, 2HB #22, September 2017

All Women's Writing is Confessional, text for a performance, August 2017

The Recording Demon, text for a performance, March 2017

An Arrangement of Polite, Industrious, Agreeable & Obedient Letters, The Persistence of Type Vol II, April 2016

Notes on Gravestones and Glass Cases, Orlando issue 01, April 2016

Really Really Reductive, an essay for Scott Rogers, September 2015

Attacks, Earth Wire - a publication for William's Palm, September 2015

Now We're Here, an essay for France-Lise McGurn, July 2015

Magic Kills Industry, text for a performance, April 2015