Georgia Horgan is an artist that makes videos, performances, textiles and texts. She studied at the Glasgow School of Art and California Institute of the Arts, and has shown work at the ICA, Jerwood Space, Glasgow Women's Library, Alyssa Davis Gallery, Evelyn Yard, Collective and Glasgow International. Her writing has been published by Flash Art, Panel, MAP Magazine and Orlando journal.
Duck Bill, text for a performance, September 2019
Response to Lee Lozano's Boycott Women, text for performance, March 2019
The Whore's Rhetorick, script for a film, ongoing
Hated Sexuality and Pinochet Porn, MAP #48, February 2019
Glasgow, Capital and Cancellation, an essay for Marlie Mul, December 2018
All Whores are Jacobites, 2HB #22, September 2017
All Women's Writing is Confessional, text for a performance, August 2017
The Recording Demon, text for a performance, March 2017
Notes on Gravestones and Glass Cases, Orlando issue 01, April 2016
Really Really Reductive, an essay for Scott Rogers, September 2015
Attacks, Earth Wire - a publication for William's Palm, September 2015
Now We're Here, an essay for France-Lise McGurn, July 2015
Magic Kills Industry, text for a performance, April 2015